UCBT Performers Included on Vulture's "50 Comedians You Should and Will Know" ListMar 27, 2015
There's a comedy boom going on, and this one is far different from the skinny-tied, rolled-up-blazer-sleeved one in the eighties. That boom was all about proliferating comedy clubs vaulting comics into traditional sitcoms, but today's explosion is fueled by the web, growing new stars on Twitter, web series, and podcasts. The big improv theaters (UCB, Groundlings, iO, Second City) are feeders for sitcom casts, and stand-up comedy is still strong, but the comedians are no longer singlemindedly focused on getting a watered-down family sitcom: Now they want to follow the path of their Buddha, Louis C.K., and make a show that reflects their own sensibility, not network executives'.
This time next year (and in some cases, next week or month), there will be another wave of sharp comics and performers who will break out with major TV or film projects, and the media will write many "Where did s/he come from?" stories. Comedy fans will roll their eyes, having known for a long time that it was inevitable that these talented people would make it big. And now you will be able to knowingly roll your eyes with them: After huddling with a panel of journalists embedded in the comedy beat, we have assembled a list of the 50 Comedians You Should and Will Know.
This list, which kicks off a week of Vulture stories about all things comedy, will school you in the laughter landscape in the funniest way possible, short of spending every night in the UCB basement. We've got everything you need to know about these next big (and currently hilarious) things, and we've handed some entries over to such reigning big names in comedy as Patton Oswalt, Adam McKay, Casey Wilson, Aziz Ansari, and more to let them give their personal endorsements for their favorite funny people.
But first, our ground rules for assembling this non-ranked, randomly ordered list: We considered stand-ups, improvisers, writers, sketch teams, and podcasters who may have made a name for themselves in comedy circles and even had some TV credits, but have not yet appeared on their own show or as a series regular on a full-length TV comedy that lasted more than thirteen episodes. (A couple of people here have been sidetracked into supporting roles on more dramatic series, but have not yet landed a regular part on a show more in their comedy wheelhouse.) Some are already cast in shows that will be debuting soon, so all the more reason to get to know them now; each entry has a definitive clip of their act or performing, so you'll be well schooled in their sensibility. Plus, you'll get to laugh a lot.
(And special thanks to our panel of experts: New York Times comedy writers Jason Zinoman and Megan Angelo, We Killed: The Rise of Women in American Comedy author Yael Kohen, Time Out Chicago comedy critic Jason Heidemann, Splitsider's Adam Frucci and Bradford Evans, Huffington Post Comedy's Katla McGlynn and Ross Luippold, the A.V. Club's Steve Heisler, Laughspin's Dylan Gadino, and the Comedy Bureau's Jake Kroeger.) Now click on to get your glimpse of laughter's future.
Known For: Stand-up/Writing
Comedy Endorsement by SNL's Bill Hader: "I first met John when he was writing for Demetri Martin. I thought he was 12 and must be some sort of genius. I saw him perform with Nick Kroll around the time he was hired as a writer at SNL and realized he was indeed a genius. His comedy was so sharp. Then we started writing together. His ability to come up with the clearest, economic, yet original jokes was astounding. He's so fast. I've had the honor to work with people like Trey Parker, Tina Fey, Larry David, and he's in that camp. John's one of those guys who is just born with it. He had no choice but to be the funniest guy in the room."
Start With: His hour special, New in Town, which ranked third on our list of top specials of 2012. In the above clip he discusses being useless with cars: "Nothing that I know can help with your car ever. Unless you're like, 'I have a flat tire, does anyone here know a lot about the Cosby Show?'"
Known For: Stand-up/Writing
Why You Should/Will Know Her: If you read/hear enough interviews in which stand-ups are asked to name their favorite comedians, Peretti seems to pop up more than any other. She's incredibly versatile, able to veer from confident to self-deprecating (citing the non-compliment of being told she looks like a pretty Penny Marshall), and she can be incredibly cutting (one routine mocks all of the overdone tropes of male stand-ups, like using a stool to pantomime having sex). She's in demand behind the scenes, having written for The Sarah Silverman Program, Parks and Recreation, and Kroll Show, but she left Parks before this season because she really wanted to be in front of the camera. Her old bosses obliged: She's been cast in Parks writers Dan Goor and Mike Schur's Fox cop sitcom. (She also has her popular call-in podcast, "Call Chelsea Peretti," which mostly involves her showcasing her incredible skill at making fun of people.)
Start With: The clip above showcases many of her moves in less than two minutes: It goes from mocking overweight male stand-ups to noting the different reaction to fat men versus women, to taking a jab at the size of her own nose ("I know I can close a cabinet with it").
Known For: Writing/Improv
Comedy Endorsement by Parks and Recreation creator/showrunner Mike Schur: "I hired Katie Dippold to write for Parks and Recreation after reading exactly one page of a spec script she wrote. It was a crazy pilot about a mayor in a small town that's haunted, and one page in, I wrote 'hire her' at the top, because I'd never encountered a comedy brain like hers - the characters and jokes were fully formed and weird and funny as hell. Then I met her, and she told me that when she was young she fell off a swing and got a concussion, and she felt like somehow that event changed her brain and made her funnier. I can't say I recommend head trauma as a path to being funny, but let us all praise faulty playground equipment for giving us someone as funny as Katie Dippold - which is to say, as funny as people can be."
Start With: Dippold left Parks before this season to concentrate on writing movies. Her first film is the highly anticipated action comedy The Heat, which stars Sandra Bullock and Melissa McCarthy, comes out this summer, and already has a sequel in the works.
The Birthday Boys
Known For: Sketch
Why You Should/Will Know Them: Just about since they formed in 2007, the seven-man Birthday Boys troupe has been L.A.'s favorite sketch group. Following in Mr. Show's footsteps, they are absurd, very silly, and particularly adept at skewering the minutia of pop culture that have heretofore gone un-skewered. Standout sketches include a video where they give Tom Hanks the "Where Are They Now" treatment ("the now-married Tom Hanks is still plugging away in the entertainment industry!"), and "Pooljumpers," a fake trailer for a hagiographic documentary about the group of mavericks who invented the game of trying to catch a ball while jumping into a pool (a spot-on parody of overly rhapsodic surfing and skateboard docs). Their success on the web has lead to its members getting gigs writing for and guesting on Parks and Recreation, The Office, Conan, Comedy Bang! Bang!, and Portlandia. They're currently working on their own sketch show for IFC, produced by Bob Odenkirk and Ben Stiller. As Stiller said in the announcement for the show, "The Birthday Boys are too good to just be making viral videos."
Start With: "Pooljumpers," which should make Stacy Peralta slink down in his seat.
Known For: Stand-up/Acting
Comedy Endorsement by T.J. Miller: "I first saw Kumail over ten years ago at the open mike at Lyons Den in Chicago. I still remember his first joke. It was this thing about how he wanted a unit of measurement named after him. Like, 'The torpedo's up to seven kumails.' Then he'd say, 'Seven kumails? That's way too many kumails! Most people can't even handle one kumail.' Then he did this kind of smirking smile to the audience, and it was like, well, this guy is hilarious, he's endearing, and he's a great joke writer. He's been in, like, ten TV or film projects in the last year , and he's going to be pretty big - I always say he's the white Aziz Ansari."
Start With: Until his hour special premieres on Comedy Central this summer, watch his routine about the new popular drug among Midwest teens, which is a mixture of Tylenol PM and heroin. "So really it's heroin - heroin's doing the heavy lifting in this cocktail."
Broad City (Abbi Jacobson and Ilana Glazer)
Known For: Web Series/Sketch
Twitter: @AbbiJacobson and @ilazer
Why You Should/Will Know Them: Abbi Jacobson and Ilana Glazer's Broad City is a web series of hyperfocused mini-movies about young women trying to survive in New York City. Past topics have included yoga, dating, giving a homeless person money, running to get the last cookies at a favorite bakery, and buying pot for the first time in a long time - and they perfectly capture the minutia of Big Apple life and all of the awkwardness, worrying, and idealism associated with it. (And just like their Manhattan-centric progenitor Woody Allen, they aren't afraid to use jazz scores.) Amy Poehler worked with the duo (who also do a monthly stage show at New York's UCB theater) to develop a series, and last month Comedy Central made a deal to shoot a ten-episode season that will air in 2014.
Start With: Their Do the Right Thing episode, which twists Spike Lee's classic to show what it's like to be a constantly harassed female in New York. Also, they do the Rosie Perez dance, which is really great.
Known For: Stand-up
Comedy Endorsement From Patton Oswalt: "There's nothing more thrilling and, ultimately, frustrating for an older comedian than to see a younger one leave the starting gate more sure-footed than he ever was at that age. Kyle Kinane is a frustrating young comedian. Equally amused and horrified by his own actions, and able to tell tales of woe and failure with the lyrical brio of a songwriter, he's destined for hilarious infamy. Unless he gets himself killed, which, if you listen to any one of his stories/jokes, seems to be an abiding possibility."
Start With: His hour special, Whiskey Icarus, which ranked second on our list of top specials of 2012. In the clip above, he talks about how everything in his life unraveled when he was delivered an unsliced pizza.
Known For: Stand-up/Podcasting
Why You Should/Will Know Him: Moshe Kasher's stand-up is just as speedy as Robin Williams's, and his forearms are just as hairy, too. (That's not a cheap shot - he talks about their furriness in his act.) But Kasher uses his speed to fire out rapid-fire jokes attacking a subject in an unabashedly elitist way: He's comfortable talking down to conservatives, religious folk, the uneducated, frat guys, and so on. (One bit says that God should just cut out the middle of the United States and throw it away: "When I step east of Los Angeles, it's just banjo music all the way to New York, where Jay-Z greets me with a top hat.") Last year he released a memoir, Kasher in the Rye: The True Tale of a White Boy From Oakland Who Became a Drug Addict, Criminal, Mental Patient, and Then Turned 16 (title kind of explains it all), wrote for the New Normal, and recently got cast opposite Rob Corddry in the ABC pilot Spy.
Start With: His Fallon set, where he spits out his rage at witnessing a woman in an airport devouring a king-size Snickers ice-cream bar by spooning out its insides with Fritos Scoops. "You ever see somebody and you're just like, "Oh, so you're what's wrong with everything in the world'?"
June Diane Raphael
Known For: Acting/Podcasting
Comedy Endorsement From Happy Endings' Casey Wilson: "June Diane Raphael and I met at NYU in a clown class. She was then and remains my favorite clown. We became co-collaborators and best friends, performing a two-woman show at UCB and sharing a waterbed in the East Village. Since our Ambien-splitting, St. Marks Place days, June has sparkled as brightly as her piercing baby blues in NTSF:SD:SUV, Party Down, Happy Endings, New Girl, and the podcast she co-hosts, "How Did This Get Made?," and I'm jealous to announce the upcoming Anchorman 2! Her most poignant role found her crouched next to me, bare-assed, in the opening shot of our road-trip movie, Ass Backwards. But June Diane is so much more than a bare ass. She is a pair of legs (the best in the biz!). She is also a comedic force in the vein of another clown I love, Lucy."
Start With: While waiting to hear if ABC picks up her pilot, Pulling (with Kristen Schaal and Jenny Slate), catch up with season two of the Bachelor/Bachelorette-parody web series "Burning Love," in which she plays a dental hygienist with a heart of gold and major anger issues.
Known For: Acting/Improv
Why You Should/Will Know Him: Best known for playing wheezy-voiced comic-relief Badger on Breaking Bad, Matt Jones is lightning-quick at improv when he frequently shows up at L.A.'s UCB and iO. It's ironic that his speedy wit is often best displayed when playing a slow character, whether a dimwit or just really laid-back. He was slated to join Rainn Wilson's rejected Office spinoff, but he will be one of the stars of Chuck Lorre's CBS pilot Mom with Anna Faris and Allison Janney.
Start With: The above Funny or Die sketch, in which he plays a shell-shocked bear-attack victim.
Known For: Improv/Acting
Comedy Endorsement by House of Lies/Parks and Recreation's Ben Schwartz: "I met Thomas around seven years ago at the Upright Citizens Brigade Theatre in New York, and we have been improvising together for the better part of the past five years. The dude makes. me. laugh. He is one of my favorite improvisers to watch and play with. He has the ability to embody a character so perfectly, so specifically that he can make an entire crowd crack up off of a tiny movement or noise. I can't wait for more people to see him in a larger medium so they can fall in love with him just as audience after audience does at UCB. Actually, fuck this ... I kind of hate how funny he is. Can I get him off of this list?"
Start With: With his role in The Office spinoff The Farm not panning out, Middleditch is focused on starring in Mike Judge's HBO pilot, Silicon Valley. Until then, sample "The Morning After," a web series about his character's uncomfortable interactions after a one-night stand.
Known For: Improv/Acting
Comedy Endorsement by His The League Co-Star Paul Scheer: "I first encountered Jason at the UCB Theatre more than a decade ago, first as a fan and then as a friend. The best thing about Jason is that you never can predict what's going to come out of his mouth. He has an ability to tap into the id of everyone he plays and say things that you don't want to acknowledge that you ever even thought. He is extreme, sometimes vile, and always hilarious. He's like a comedic grenade that is thrown into a situation and creates a supreme chaos that is unmatchable by any other performer that I've ever worked with. But on top of it all he's one of the most sincere, smart, and pop-culture-savvy people that I've come across who probably is pretty good at finger-banging."
Start With: Mantzoukas has been seen in The Dictator and Enlightened, but is best known for playing the hilariously vile Rafi on The League. In the above clip from season two, he pitches Andre (Scheer) on shooting a porno in his apartment.
Known For: Sketch/Acting
Why You Should/Will Know Him: Of all the odd characters Jon Daly has created for his web videos and appearances on podcasts like Comedy Bang! Bang!, the most popular one is probably Bill Cosby Bukowski. A mash-up of the grimy beat writer and iconic comedian (BCB performs "jell-oems," gritty free verse about Jell-O), it captures all of the peculiarities of Daly's comedic voice: a little edgy, unhinged, purposefully dumb, and totally hilarious. (Other core characters: smooth jazz artist Barry R.; the drunk, English, Rollerblading pine tree Sappity Tappity; and Ticklish Cage, who is, naturally, a ticklish Nicolas Cage.) The UCB-trained Daly brings that sensibility to his scattershot sketch podcast "Rafflecast" and as a producer/writer/performer on Kroll Show. (He plays Aspen in the "Rich Dicks" sketches.) Next for Daly: a role on Betas, the Amazon sitcom pilot (which you can watch here) where Daly plays the creator of an app who's trying to raise money from Silicon Valley venture capitalists.
Start With: Bill Cosby Bukowski's recital of his poem, "The Most Fuckable Huxtable."
Known For: Writing/Improv
Why You Should/Will Know Her: A Second City and iO-trained improviser, Kay Cannon agreed to take time off performing when her friend from Chicago, Tina Fey, asked her to join the writing staff for 30 Rock. She ended up staying with the show for all but its last year, and by the time she left, she was able to approach comedy from both a writer's and a performer's perspective. This hybrid sensibility was put to use when she joined the staff of New Girl this season as an executive producer, which seems to correspond with the show's uptick in laughs and physical comedy. While these shows are all honed by an entire writers' room, the control specimen for Cannon's talent is her screenplay for the surprise hit Pitch Perfect: It spotlights her skill of putting characters in the position to do something funny and be funny, not just say something funny. Last year she signed an overall deal with 20th Century Fox to develop shows; hopefully this will result in her style spreading farther into our DVRs on a weekly basis.
Start With: You better have already seen Pitch Perfect: If not, start with that film and enjoy its bouncy dialogue. If you have seen it, check out the "Eggs" episode of New Girl, which she wrote and also appears in as Jess's lesbian gynecologist friend's wife.
Known For: Writing/Podcasting
Why You Should/Will Know Her: Disclaimer: the placement of Vulture's Real Housewives expert and video host is not nepotism; she was nominated by multiple people not on our payroll. And with good reason. She's an octuple-threat: acting, singing, dancing, writing, monologuing, interviewing, kibitzing ... and is TV recapping a threat? It should be. She's written two books (her memoir I Don't Care About Your Band and her upcoming YA novel Art Girls Are Easy) and for TV (Billy on the Street), but all of her talents are showcased in her podcast "How Was Your Week," which features informal chats with comedians/authors/whomever and a free-associative comedic monologue about her pop-culture obsessions du jour (which usually includes Mario Lopez's inane, diet-obsessed Twitter feed). The diversity of guests and highbrow/lowbrow mix on "HWYW" brings to mind the old The Dick Cavett Show, but with more of an old Broadway sensibility.
Start With: Her podcast - but since that's not visual, check out the video she shot for a "HWYW" live show, in which she, Ted Leo, and her producer Spoony irritate their teacher in a whiskey-and-whittling class by getting stinking drunk.
Known For: Stand-up/Podcasting
Comedy Endorsement From Nerdist's Chris Hardwick: "I first met Jonah Ray in the year 2000 (which sounds so future-y) doing open mikes in L.A. He was fun, eager, and underage, so I used to make him take me to fast-food drive-thrus at 3 a.m. when I was drunk, where I would drone on and on about myself and my dumb philosophies on stuff. In my sober years I would learn that Jonah actually had thoughts and feelings of his own. He's one of those guys that everyone is friends with, because he's a sweetly charming guy who's a good hang. In 2010, I called him one Thursday and said, 'Hey do you wanna do a podcast?' He quickly said yes but unfortunately hung up before I said, 'FOREVERRRRRRÃ‚Â’ and began cackling like a stovepipe-hat villain in a bad comedy sketch. On said podcast, "Nerdist," he portrays a harass-y, older brother-type version of himself - he's the guy who gives you shit, but it's hilarious because you know he really loves you. I've seen him evolve from a one-line-joke baby comic into an incredibly solid stand-up who co-runs the best comedy show in L.A. (with another comedy Jedi, Kumail Nanjiani). (The show, called Meltdown, is shooting a pilot for Comedy Central.) In conclusion, Jonah Ray is a phenomenal dude, a superb comic, and a huggable friend. I'm proud of him and feel lucky to know him. I'm sorry this paragraph ended up reading like a eulogy. I guess I should probably clarify that he is not dead."
Start With: Until his Comedy Central Half Hour comes out on May 24, watch his affable June 2012 Conan set, during which he talks about the perks of having a sad friend: You have an excuse to drink during the day.
Known For: Improv/Acting
Why You Should/Will Know Her: The UCB-trained Lauren Lapkus will forever be employable because sitcom writers love weirdo characters. We mean that in the best possible way: Lapkus is fantastic at finding new ways to play overeager, crazy, socially awkward, and/or nerdy. She was easily the best part of Are You There, Chelsea?, in which she played Chelsea's uncool, overly enthusiastic roommate. And the cycle continues: She was recently cast in the NBC pilot Joe, Joe, and Jane, playing a friend who often makes bad decisions.
Start With: No, not Are You There, Chelsea?, because that would be mean. Instead watch this sketch from Jimmy Kimmel Live in which she plays a secretary who freaks out when Jimmy has her biggest celebrity crush, Ryan Reynolds, fire her.
Garfunkel and Oates (Riki Lindhome and Kate Micucci)
Known For: Musical Comedy/Acting
Twitter: @RikiLindhome and @KateMicucci
Why You Should/Will Know Them: By day, Riki Lindhome and Kate Micucci are mild-mannered working actors. (Lindhome most recently appeared in a few episodes of Enlightenened; Micucci has a recurring role on Raising Hope.) But by night they become the ballsy, road-tested folk-comedy duo Garfunkel and Oates, a distaff Tenacious D with songs that contrast the women's apparent sweetness with overtly sexual content. A sampling of their repertoire: "Hand Job, Bland Job, I Don't Understand Job" (an eighties-style rap about not knowing how to give a handy), "Go Kart Racing (Accidentally Masturbating)" (a bouncy ditty about how the two activities give similar pleasures), "One Night Stand" (which is pretty self-explanatory). They also have songs about smug pregnant women, douches ruining parties, and not knowing where to look while being serenaded. Their YouTube channel has more than 25 million views, so their own Flight of the Conchords-type show would seem inevitable. And lo, while a pilot for HBO didn't pan out, IFC just announced a pilot starring the duo.
Start With: "29/31," a tune sung from the perspective of the same woman at these two chronologically close but emotionally very different ages.
Known For: Stand-up/Podcast Appearances
Comedy Endorsement by Comedy Bang! Bang!'s Scott Aukerman: "I first saw James perform during a friend's show in a tiny theatre in Hollywood. He did several characters and sketches, and showed a video he made where he was hilarious just being himself. I was instantly blown away by the depth of his creativity, and at that point, I hadn't even seen his "best" impression - George W. Bush (which he confoundingly abandoned the day the man left office). Over the years I've worked closely with him, having him on my podcast, where he became a fan favorite, and putting out his first album. But I've probably been most proud of James when I went on tour with him, and watched him convert audiences regarding their feelings about gay comedians."
Start With: His debut album Low Hangin Fruit, with the above bit about being a closeted gay kid on the high school football team. "Center is actually the perfect position for a gay kid on the football team. Because you're the one bent over and you're hiking the ball through your legs to the quarterback, the hottest guy in the known universe."
Known For: Improv/Talk-Show Host
Why You Should/Will Know Him: In 2010 it seemed like Gethard was about to break out into the mainstream when he was selected to replace the bailing Jon Heder at the last minute for the Comedy Central sitcom Big Lake. The show quickly fizzled, and Gethard returned to what the UCB veteran had been doing: being a New York improv institution. He built up a cult following for his idolized The Chris Gethard Show, a hodgepodge of stunts, call-ins, absurdism, unfiltered earnestness, silliness, and hanging out that started as a live show but moved to Manhattan public-access cable in 2011 and streams online. (One classic, dangerous bit involved Gethard being held upside and dipped into a bucket of toys like a crane you'd find in an arcade or bowling alley.) Self-deprecating, upbeat, and immensely supportive to any of his fans who feel like an outcast, he wrote a 2012 book of personal essays, A Bad Idea I'm About to Do, in which he mines his own mistakes and tries to find comedy in his failings. IFC has "adopted" him by hosting his web videos and working with him to develop a show based on his book.
Start With: In February of last year, when a teenage fan/frequent caller to his show was in town, Gethard decided to put on a very special CGS for her. Seth Meyers called in, Tina Fey made her a video, Jon Glaser wrote her a note, and Zachary Levi, Jack McBrayer, and Bobby Moynihan stopped by.
Known For: Sketch/Web Series
Why You Should/Will Know Her: When Elaine Carroll auditioned for SNL in 2009, she impersonated both Olsen twins. She got laughs but not an offer to join the show, so she decided to turn the adult life of one of the sisters into a web series, "Very Mary Kate," in which MK fails at school, gobbles pills, drinks, and rarely eats. If it had been an SNL sketch, it would likely have become a repetitive, one-note recurring character, but over 70 episodes, "Very Mary Kate" has evolved into a masterful, absurdist portrait that captures the special obliviousness of people who have been super famous nearly since birth and have no idea how the world actually works. "Very Mary Kate" is one of the cornerstones of College Humor's site, so as the company continues to move into TV and film production, Carroll's Mary Kate will be exposed to a bigger and bigger audience. (Carroll also does a killer Maggie Smith.)
Start With: Above, Mary Kate gives her class a presentation on the potato famine, which is complicated by her inability to distinguish between potatoes and corn.
Known For: Stand-up/Podcasting
Why You Should/Will Know Him: There are two sides to Pete Holmes. Onstage he's a super tall, boisterous, goofy, likable live performer prone to yelling out rhyming phrases like "Pierce get beers!" and "Prince get mints!" just because they sound funny to him. And then there is his incredibly honest and confessional podcast, "You Made It Weird," a "WTF"-like interview show in which he and other comics frankly discuss comedy, sex, and religion. This fall he will combine his stand-up and interviewing skills for his biggest break yet: hosting his own talk show on TBS airing after Conan and produced by Conan O'Brien himself. Get ready for two hours of immensely tall entertainment! (Oh, and under "other skills" on his resume: supplying the voice of the E-Trade baby and contributing cartoons to The New Yorker.)
Start With: Until his hour special, "Nice Try, The Devil" premieres on Comedy Central on May 12, watch him talking about being unable to have sex in his dreams, a bit also available on his first album, Impregnated With Wonder.
Known For: Acting/Improv
Why You Should/Will Know Him: Maybe it's the glasses, but Kellum is great at playing nerdy characters unable to keep up a cool front, a persona perfectly showcased in last year's short-lived and little-seen Ben and Kate, where he played Ben's excitable tennis-pro best friend, Tommy. He trained everywhere in L.A. (UCB, Groundlings, and iO West), emerging a lean, mean, role-getting machine: Ben and Kate may have been quickly canceled, but this year he's in two NBC pilots: The Gates with Ken Marino, and the still untitled Sean Hayes/Victor Fresco comedy.
Start With: The episode of Ben and Kate where his character Tommy accidentally takes drugs and freaks out.
Known For: Improv/Writing
Comedy Endorsement from Happy Endings' Adam Pally: "I first met my friend Gil ten years ago in a class at the Upright Citizens Brigade theatre. We got paired up to do a scene where we were puppeteers doing a show for kids, but Gil's puppets were racist and inappropriately sexual, and I knew then that we'd work together for the rest of our comedic lives, or till I died of early onset liver failure. I've never seen a more physically gifted and fearless comedian on stage, and I've never worked with an odder, more hilarious and perverted comedic mind. My grandma, after seeing Gil perform once, told me that Gil would be the biggest comedy star in the world - if he didn't cast a shadow of a Mediterranean Peter Dinklage with the stance of a pregnant woman. I told her he would be that star anyway, and it is just about the coolest thing ever to see that I was right."
Start With: His "UnTopical Man on the Street" videos, in which Ozeri plays a field reporter who obliviously asks passersby incredibly dated questions, like "Do you check Friendster more than five times a day?" and "Are you thinking about getting the 'Rachel' haircut?'"
BriTANick (Nick Kocher and Brian McElhaney)
Known For: Sketch
Twitter: @NickKocher and @BJMcElhaney
Why You Should/Will Know Them: The YouTube powerhouse duo BriTANick has racked up 22 million views with such quick-cut, irreverent videos as "Boys Night In," in which Nick is tormented by an affliction in which he can't stop himself from flashing his penis whenever Brian says anything that could be turned into a double entendre (say, asking if there is sausage on a pizza or offering some nuts). The writing is much sharper than the average quick, viral-friendly clip and has more of a flair for the dramatic. Their web popularity recently has begun translating to Hollywood work, including gigs writing for Goodwin Games, the new Fox comedy from How I Met Your Mother co-creators Carter Bays and Craig Thomas, which is set to premiere in May, and roles in Joss Whedon's Much Ado About Nothing (which lead to Whedon appearing in a very funny sketch of theirs, playing a bathroom coach/bird). It's only a matter of time before they are able to package something centered on themselves.
Start With: "A Monologue for Three" (featuring Community's Danny Pudi), in which Kocher tries to help McElhaney remember a line from a play, but instead quotes lines from Jersey Shore, Tetris, and McElhaney's drunk father.
Known For: Stand-up/Writing
Comedy Endorsement From The League and Kroll Show's Nick Kroll: "I met Joe right when he moved to NYC to pursue comedy. He was funny right out of college, and he has built on that to become one of the funniest people I've ever met. He's a great stand-up and storyteller, and his scripts are filled with crazy sharp jokes and story lines. Joe is, in my opinion, the sharpest observer of American culture that I have met in comedy. His Twitter account beautifully curates the absolute worst of celebrities and corporations. If you get retweeted by Joe Mande, you have done something hilariously wrong. (Also, you should check out Fiddy's Biddies, where he posts interactions between 50 Cent and the women who profess their love and physical desires for him, and his Twitter war with basketball player Gilbert Arenas.)"
Start With: His 2011 Conan appearance, where he explains just how badly Hanukkah pales in comparison to Christmas. One demerit: having to sit around and "watch your grandma slowly fall asleep eating hash browns."
Known For: Improv/Acting
Why You Should/Will Know Her: The old expression "she can get laughs reading the phone book" applies to Betsy Sodaro, an exuberant, off-kilter actress whose voice sounds a bit like Carol Channing after she's been in a bar fight. She's cited Chris Farley as a major influence, and you can see it in her big, infectious personality and commitment to the cartoonish-ness of her characters: It's easy to imagine Farley playing Paula Deen in the aggressive, unhinged way that Sodaro does. As the bizarro animal handler Angela on Animal Practice, she was easily the best part of the quickly canceled show (yes, even better than the monkey); she was supposed to just be a guest in its pilot but was then picked up for the series. She's bound to be cast in a new comedy that will recognize the special energy she will bring as a really peculiar foil.
Start With: Probably for the best that you avoid revisiting Animal Practice. Luckily, its two best parts, Sodaro and Crystal the monkey, star together in the above sketch, in which she plays the monkey's agent.
Known For: Writing/Acting
Why You Should/Will Know Him: The young-looking Paul Rust (at 28, he played a high-school student in 2009's I Love You, Beth Cooper) has a silly sense of humor that reveals an ironic wickedness. He enjoys finding comedy in how unfunny he can be, the best example being his recurring "New No-Nos" segment on the Comedy Bang! Bang! podcast. Parodying Bill Maher's "New Rules," he smugly delivers edicts in a tone that implies that he's the last sane man alive, but the No-Nos are actually either plain common sense or patently ridiculous: "New no-no: If I have to wait 30 minutes for my coffee, then I should be allowed to take 30 minutes to drink it," and "You guys ever been to the movies before, and you got that guy in front of you texting the whole time? New no-no: I should be able to draw a picture of you." This pure silliness may be why Judd Apatow asked him to work with Paul Reubens writing the next Pee-Wee Herman movie.
Start With: The Funny or Die series "Guy Talk" is Rust's idea of a bro talk show, if run by the most milquetoast of men.
Known For: Acting/Sketch
Comedy Endorsement by Upright Citizens Brigade co-founder Matt Besser: "When Angela auditioned for the role of Sassy , I knew that we didn't have to look any further. Her transformation into character is amazing. The audition was the first time we had met, so I was actually pretty convinced that the character she was doing was pretty much herself. She's great at playing sexy and having fun with it. And believe me, an ability to sing and dance and be funny is certainly a rare triple threat in the comedy community."
Start With: See her dance skills in her popular Hello Giggles series "Dance Like Nobody's Watching," where she joyously boogies in a public space. Or see her sketch about the aftermath of crapping in a date's bathroom when he's right outside: It also has a dance finale!
Known For: Writing/Podcasting
Why You Should/Will Know Him: A frequent and popular guest on the Comedy Bang! Bang! podcast, Harris Wittels has a recurring segment in which he reads terrible jokes that he has written on his phone late at night just as he's falling asleep. The bit is called "Harris' Foam Corner" for reasons as random as the jokes are willfully terrible: "Where there's a will there's a Wayans"; "I think instead of them trying to desalinize the ocean, they should just add pepper"; "Wifi? Because-fi." These jokes, intended to receive the groans they inevitably receive, are part of his love of anti-comedy, but he's a versatile writer too: While he worked on the nihilistic Sarah Silverman Program and the raunchy Eastbound and Down, he has also written for the traditional Parks and Recreation for the length of its run so far. Clearly Hollywood has faith that he won't be writing his scripts late at night on his phone: He has a development deal with NBC and is working on a film project for Aziz Ansari and Danny McBride. (And when not doing all that, he keeps busy online: He runs the Humblebrag Twitter feed, which was turned into a book, and occasionally hosts the podcast "Analyze Phish," in which he tries to convince Scott Aukerman to like the band Phish and never succeeds.)
Start With: This 2011 Comedy Bang! Bang! where he and fellow guest Adam Scott performed as two brother-in-law lumberyard workers, an improv that goes from so-unfunny-it's-hilarious to legit-hilarious.
Known For: Stand-Up
Why You Should/Will Know Him: It's harder and harder to be a one-liner comedian in an age where such comedy fills up Twitter all day long. Nick Thune, however, steadfastedly and successfully follows the path trod successively by Steven Wright, Mitch Hedberg, and Demetri Martin, though he's less dry than Wright, less out of it than Hedberg, and less nerdy than Martin. Some jokes from his 2010 album, Think Noon: "Wouldn't the world be a cleaner place if we gave blind people brooms instead of canes?" "The only technical part of a technical college is it's technically a community college." "Life Savers only work if you're diabetic." He's also really great-looking - not just "comedy good-looking," but TV-star great-looking, which is why he frequently finds himself with pilot and development deals, though none have gone to series yet. (He most recently developed a show about an anthropologist who moves to Brooklyn and starts studying hipsters.)
Start With: His 2008 Comedy Central Presents special, in which he tells one-liners with and without accompanying himself on guitar.
Jake & Amir (Jake Hurwitz and Amir Blumenfeld)
Chicagoist Talks To Matt Walsh About Veep, Improv & MoreMar 25, 2015
Matt Walsh is an influential improv comic and character actor, most recently known for his role as Mike McLintock on HBO's Veep. Walsh honed his comedy craft in Chicago, and he co-founded comedy sketch troupe Upright Citizens Brigade with Matt Besser, Ian Roberts and Amy Poehler.
A native of Darien, Ill., Walsh is an avid fan of the Chicago Bears and is one of the hosts of the Bear Down podcast, which is recording in Chicago on Wednesday as part of the Just For Laughs Comedy Festival. It was "started by a group of wayward Chicagoans stuck in the bright desert of Los Angeles." We had an opportunity to speak with Walsh by phone on Thursday in advance of his visit to Chicago.
The Bear Down Podcast records at UP Comedy Club on Wednesday, June 12 at 10:30 p.m. Hosts include Matt Walsh, Horatio Sanz, Joe Nunez and Brad Morris. Guests include Mongo McMichael, Marv Levy and Spice Adams. Tickets are on sale now. The Just For Laughs Comedy Festival is from June 11 to 16 at various Chicago venues.
Chicagoist: Tell me about Veep. Do you love how much you get to swear, and do you follow politics yourself?
Matt Walsh: Ha, I don't really swear more when I'm filming Veep. The language that we write for it is pretty vulgar and violent, so it is fun to get to do that. I try not to bring it home around my kids. I'm not really a political junkie. I vote and all that, but I don't really consider myself an expert on the political process. But as a result of the show, I think I'm slightly more informed on how things get done on Capitol Hill.
C: Have you met any real-life VP staffers?
MW: Yeah, we've met a lot of people inside the Vice President's office and from various congressional chiefs of staff, press agents and stuff like that. Joe Biden's son came out for one of our premieres. People of D.C. seem to think that our show is very accurate in how a job in politics goes.
C: Do you think it's more accurate than, say, House of Cards?
MW: Yeah. People ask this question a lot. I would say - I've watched all of House of Cards, I love that show - I think there is a certain gloss or shininess to House of Cards since there is conspiracy and intrigue, and I think it's a little inflated in terms of what really goes on for the majority of people who work in D.C., so yes, I think our show relates more to the majority of people in politics. Yes, I do. I think it's more realistic. Usually it's just regular people doing mundane things, and oftentimes they screw things up accidentally. I don't think the majority of them are Machiavellian or schemers like Kevin Spacey.
C: So you're a Chicago guy. When did you start performing?
MW: You know, I took my first improv class when I was a senior at Northern Illinois at a place called Player's Workshop at Second City. That was back in the late 80s, maybe '88. And then I moved into Chicago and started doing shows with a sketch group I met in my class, a group called Department of Works. We did shows at UIC, various arts clubs, and then I did some stand-up. Somewhere along the way I started getting involved with ImprovOlympic and a place called the Annoyance Theater. I did many shows at the Annoyance. I started with Del Close in the early 90s, and somewhere in the early 90s I met Matt Besser and Ian Roberts and Adam McKay.
C: Do you still do any stand-up?
MW: No. It's a very difficult profession, and hats off to anybody who can do that.
C: In acting, what has been your favorite role?
MW: Wow. Well, by the recency effect, I think Veep, to me, because we've got to do two seasons of it, because we get to improvise and contribute ideas. Veep would be up there. I did a show called Dog Bites Man, where I played a reporter from Spokane, Washington. That was very improvised. I also did a show on Spike where I played a bar owner in Phoenix which I really enjoyed. That was also improv-friendly. So I tend to like roles where they're comedic, and you can help write what you get to say.
C: You directed the film High Road, and I know that it was mostly improvised, and I was wondering, how does one direct improv in that environment?
MW: So to do an improv movie, you need a tight outline that has all the stories and character arcs and emotional turns and also the nuts and bolts of production, like locations and props and details in that outline. And then, you know, I like to spend a week or two rehearsing with the characters, so we can inform their backstory and understand their world, and also get a general tone of performance, so everybody is kind of acting in the same world. And then when you get on set and start filming, you try to stick to the story points. Like sometimes in improv you can be self-indulgent and just say things to make people laugh, but you really can't spend too much time doing that because it won't end up in the final edit, so you try to keep focused on what works and what won't end up in the cut. And then you just kind of rehearse that scene once, and then you're not looking to create real lines every page. You're just trying to get the best performance of what you need. So you just have to time-manage a bit.
C: So you've said before that Chicago is a great training ground for comedy and improv, but New York and LA launch careers. Does that still apply, and what is it about Chicago that makes it such a great training ground?
MW: Chicago is a great comedy and improv training ground because part of it is economics. You can have a great life, and you don't need to make a ton of money, and you can be a 20-something, have an apartment, still have beer money and also do shows seven nights a week. I think there are many great legit theaters like The Goodman and Steppenwolf and all of the great, legit, straight theater companies. And then the comedy scene is extremely thriving, and there are great teachers there at ImprovOlympic, at the Annoyance or Second City, so the training exists, the infrastructure to work on technique. And also, because there's great theater and comedy, you can do your homework by getting out and seeing a lot of stuff, seeing what people are doing and learn from people that are a little further ahead than yourself. And I think there's also no immediate pressure to get on TV in Chicago. I think a lot of people when they start in Chicago, there are occasional scouting trips from Saturday Night Live or various, you know, shows, but in general, you're just doing it to do it, you're just trying to get better, and you're trying to have a good show, and I think that's really healthy when you're starting out, not looking to get an agent every night or you're not concerned who is in the audience that night. I think LA and New York have a little bit of, not contaminated, but there's a certain show business element, that there are purchasers of comedy and television that come to your shows out here.
C: So how did you decide to make the leap out of Chicago and move on to start Upright Citizens Brigade?
MW: UCB was a group, there were four of us, and we wanted to stay together. And I think in the mid-90s or the late-90s, there was a lot of opportunity for individuals to jump onto different shows, either sketch shows or sitcoms, and we decided we wanted to join together as a group and have a show, so we knew that we had to either gain an audience in New York or LA, where the networks were. We thought New York was better to create a theater following, to get plugged in and do a month or two of shows and keep it going. LA felt like, we'd been out there a couple times, and it felt like a showcase town, where you do a showcase and try to get as many industry people as you can that night. And then a week or two later, you do another showcase. It didn't seem like you could get a following and build something.
C: Do you still often get to do any live improv/sketch work?
MW: We have a UCB theater here in Los Angeles, so I do a show called ASSSSCAT, either Saturday or Sunday. I occasionally do other shows. It's just live improv, and it keeps me sharp. It's like a fun pastime or pick-up game, if you will.
C: How much of Veep is improvised?
MW: I think in the second season, at the end of the day, I'd say about 10 percent of the final edit is spontaneous dialogue or whatever. But, in the process of creating the script, we improvise four or five weeks during the year. Before we put the scripts down, we try to work scenes and come up with different ideas and there will be jokes, and the writers are in the room and they sort of take what they think is useful and in the next draft comes a few days later, and we're constantly workshopping. Improv as a process informs the final drafts of the scripts, but on the day of actual shooting, there's really a lot to get shot, so there's not a lot of time to indulge yourself.
C: How is it working with Julia Louis-Dreyfus in that somewhat different environment because she's usually more of a script actress?
MW: She's great. She's a great, obviously a tremendous comedian, but she's a great improviser, and she's very playful and silly, and we just want the show to be good. She has the best attitude, and she sets the tone for everyone else, she's very giving and very smart, and she is a real strong perfectionist in the best way, like, can we get more wraps and can we get a better joke in here, so I've certainly learned a lot from her.
C: So you're coming back to Chicago. Are there things that you miss about Chicago, and do you come back often?
MW: I do come back. I still have family in Downers Grove and Darien. I get back three or four times a year for holidays and such and family vacations. What do I miss? I miss a ton of things now. I miss the people. It's a very friendly city, and I have a lot of friends there. I miss the food. I miss kind of the scene, like the comedy scene, you can hop around to different clubs, take a cab or walk to a different show. It's pretty densely populated, unlike LA, where you have to drive anywhere. I miss the scenery. There's no scenery like Chicago, it's just beautiful.
C: Are there any comedy venues that you'll want to visit while you're in town?
MW: I'll try to get up to ImprovOlympic. I might sneak into Second City and watch a show there, and I may head up to the Annoyance to see their space.
C: Are there any local comedians, comics, improv groups in Chicago that we should be paying attention to?
MW: You know, I'm embarrassed to say I don't cover the Chicago scene, so I don't know who the up-and-comers are. I mean, I know during the festival there are some great shows. Like Pete Holmes is funny. He's doing a couple of shows. The improvisers there at the Second City Alumni Show, which I don't think I can see, but they're great. I know all those guys. "T.J. & Dave" are a great show if you ever have a catch them there.
C: So let's talk Chicago sports. First of all, Cubs or Sox?
MW: I'm not a baseball fan, but if I had to say, I'm a Sox fan.
C: And can the Blackhawks make it?
MW: Oh yeah. Oh yeah. I think home-field advantage is going to be huge. I think we just need to get one here in LA, and tonight we might get lucky and get one. (Eds. Note: This interview was conducted on Thursday before the Blackhawks-Kings Game 4.) I think their offense is incredible. They're not as thick as the Kings, but I think if we can get through the Kings and get into the finals, it's a coin toss between them and it looks like Boston Their offense is so impressive. I think they can get goals. I don't know that they go through droughts like other teams.
C: As for the Bears, what do you think of the new coach?
MW: I'm pretty excited. I think their offense is going to be really good. I'm very optimistic that Trestman will bond with Cutler, he's a quarterback guy. I love the acquisitions and solidifying the offensive line. I think that's awesome for Cutler. He's probably one of the most beaten-up quarterbacks in the NFL in the last three or four years. I love that Martellus Bennett as a receiver. I'm curious to see if Alshon Jeffrey can stay healthy. I obviously like Forte and with Michael Bush, that's a great backfield. if he can get the run going and play the option fake or whatever, it could be really good. And Brandon Marshall is a beast, so I love the offense. The defense is a question, but I always have confidence that Chicago will have aggressive defense and we'll somehow pull it together.
C: What do you think of Jay Cutler? Is there a reason he's such a polarizing figure?
MW: (laughs) I like Cutler. I think he's probably one of the best quarterbacks we've had in Chicago forever. And he is a prickly person, he's not media-friendly. He seems moody at times, but I think he's confident, I think he's a team-player. I get why people don't like him, but I'm a fan.
C: Do you have any upcoming projects that we should look for? I saw on IMDB that you did an episode of Drunk History, which is something I'm really looking forward to.
MW: I did a Drunk History, I'm doing a movie this summer with David Cross that I'm excited about. I go back for Season Three of Veep in September. I'm doing the Del Close Marathon in New York at the end of June. It's like a 3-day, 72-hour, long-standing comedy festival.
C: What's the film with David Cross?
MW: It's about a small town, basically a town council where... I think it's an exploration of small towns and people with few options doing desperate things. That's how I would describe it.
C: Speaking of small towns, you were on Parks & Rec, the Emergency Response episode. What was it like working with Amy Poehler again?
MW: It was great. Amy and I are friends, and she's super funny. Their set, I think, is similar to Veep in that it's improv-friendly and really collaborative. No egos, but everyone just wants to be fun and funny. I was really glad to do one of them. Super fun.
C: Anything you want to add? I think I'm out of questions.
MW: No, I think for Bear Down that's coming up on June 12 we have Steve McMichael is going to make an appearance, Marv Levy is going to make an appearance and Anthony 'Spice' Adams, so we have a really good lineup, along with Horatio Sanz, Brad Morris and Joe Nunez.
John Murray: Comedy's Next Almost-Star on Esquire.comMar 25, 2015
Murray and his Springsteens.
"I'm impressed by John's ability to have kids and still improvise. Both passions are very demanding," Tina Fey says of Murray, who she cast in 30 Rock.
"I'm impressed by John's ability to have kids and still improvise. Both passions are very demanding," Tina Fey says of Murray, who she cast in 30 Rock.
Farts, sweat, cigarettes, and Pabst. That's what the Upright Citizens Brigade Theatre in New York City smells like on Saturday at 5 a.m. or hour twelve of the fifteenth-annual Del Close Marathon, which took place this past weekend. Named for the improvisational comedy pioneer, the three-day, round-the-clock orgy of hilarity draws performers and spectators from throughout the world. By Sunday's end, there will have been some 400 shows across seven Manhattan venues, including this 150-seat black-box dungeon in the insufficiently-ventilated basement of a Gristedes grocery store. Over 56 hours, the theater will close and empty for just 90 minutes, to be cleaned. Otherwise, once ticket holders are inside, they can stay as long as they want. For much of the weekend, the line of hopefuls - some waiting three hours-plus - will stretch nearly the entire length of West 26th Street between Eighth and Ninth Avenues.
So far tonight, those fortunate enough to be among the standing room-only crowd have witnessed a Chaucer-worthy cavalcade of evangelical Christians, Mexican wrestlers, drive-time shock jocks, a Nazi clown hurling shaving-cream pies at grown men in diapers, send-ups of Ira Glass and the 1986 New York Mets, Guided by Voices-quoting hipsters, Entourage-quoting frat bros, at least two sets of bared testicles, and too many Game of Thrones references to count. Now through the stage curtain and to the sound of "Dancing in the Dark" file two-dozen male and female Bruce Springsteens - jeans, white tees with rolled sleeves, red bandanas - and one white-suited Ghost of Clarence Clemons. They grab audience members - those who haven't passed out in their chairs, exhausted or drunk or both - and pull them onto the tiny stage Courtney Cox-style to dance and sing along.
Leading them, microphone in hand and belting it out, is the man who concocted and organized the fifteen-minute bit: John Murray. Most performers will appear in three or four Marathon shows. This is already Murray's fifth. He'll do twelve in all.
For anyone who knows the 34-year-old Murray, a nine-year UCB veteran, it's not surprising that he'd come up with "Springsteen Prov." Originally from Colts Neck, New Jersey - where the Boss has a house - he's seen Bruce in concert five times and owns all but three of his albums on vinyl. ("Ghost of Tom Joad was a bitch to find - all those later albums before vinyl came back in style," he says.) He studied drama at Syracuse University - where he roomed with friend and Veep star Reid Scott - and had a bit of success upon moving to New York in 2000, booking commercials for Campbell's Soup and Comedy Central. But after a year or so things began to sputter. A few people suggested taking improv classes.
"I had all these excuses for not doing it," Murray says. "'I'm not funny. It's too cliquey.' Then my dad died. It was a big change. I thought, 'All I do is sit around waiting for my commercial agent to call.' So I decided to do something about it."
It's assumed that most talented comedians are bitter and unhappy, and Murray has plenty cause for such angst. His father, Jack, was killed on September 11. He normally worked in midtown but happened to be at Tower Two that morning for a meeting. Yet stewing in grief his son is not. "How much of the 9/11 stuff are you going to include in this?" Murray asks. "I don't want this to be, 'John Murray has never recovered from the tragic death of his father and finds no joy in life - except, that is, when he's performing comedy at the UCB Theatre and making others laugh. Lo, the sad clown.'"
In fact, after his talent, Murray's positivity is the first thing his peers cite.
"He is a very dedicated actor and improviser with a strong sense of what is funny and an ability to commit to any character or situation on stage," says John Frusciante, UCB Theatre's Associate Artistic Director. "He's also one of the nicest people you will meet."
"John's sharp as hell," says Adam Frucci, creator and editor-in-chief of the comedy website Splitsider and Murray's former teammate on Bastian, the longest-running Harold team in UCB Theatre history. "You never really have to worry about making a move that he won't pick up, and he's amazingly supportive. He's one of the nicest and most outgoing people I know."
"He's one of those rare talents," says Reid Scott. "That perfect balance of classical intelligence and raw goofiness. I've known John since the first day of freshman year at SU, and within moments I knew he was a real 'actor's actor.' He's a blast to perform with as well as watch."
His demeanor even impressed Tina Fey. For five years, Murray was among the select few UCB performers who appeared on Fey's Emmy Award-winning NBC series 30 Rock as non-speaking extras in the TGS writers' room. In season five, he was even awarded a brief bit of dialogue.
"I was always so happy to come in to shoot and see John and Bethany and Anthony around that fake writers' room table because it meant there would be good conversation and bits for the rest of the day," Fey says. "I am impressed by John's ability to have kids and still improvise. Both passions are very demanding."
Last September, Murray's wife, Weronika, gave birth to twins. Surprisingly, Murray's routine hasn't changed much. Most every night of the week, he performs at UCB or teaches classes to some of its 4,000-odd students or coaches various teams.
"The family has made an effort to keep my schedule the same, get my face out there. That was something I was worried about: My career getting lost. I owe it to my wife."
According to Weronika, becoming a father has even improved his performing: "He has an audience at home now. They're captive. I'm usually not a good audience. The babies laugh at everything."
But like all artists in their mid-thirties still striving to break through and suddenly faced with raising and providing for children, parenthood is a source of anxiety as well as elation for Murray. He's had a fair amount of success in the last few years - 30 Rock, several national commercials, appearing in a Daily Show skit, joining the popular UCB weekend team Death by Roo Roo, a Cooking Channel pilot - but nothing compared to others he came up with at UCB: Jenny Slate and Kate McKinnon (Saturday Night Live), Ellie Kemper and Zach Woods (The Office), Nick Kroll (The League and Kroll Show), Jessica Williams (The Daily Show), Chris Gethard (Big Lake and The Chris Gethard Show).
Weronika is supportive - "There's no timetable," she says - but she knows her husband feels pressure. He admits it himself.
"There's more of a sense of urgency now. But you can't let it, 'cause that's gonna screw you up. Put that pressure on yourself, it makes your failures more cataclysmic - not even 'failures' but things you don't get. You have to be grateful for what you have - in both work and in life."
Murray is certainly grateful to the audience that stuck around for "Springsteen Prov." He tells them so before jogging from the stage, "Born to Run" playing him off. In the cramped dressing room area, he also individually thanks each of the Springsteens - most of them his former students. He and a group of them walk a few blocks down Eighth Avenue to a diner for breakfast. It's light outside. When he gets home, Weronika and the babies are already up.