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Drew Droege profiled in Frontiers

Feb 21, 2015

The Man, the Myth, the Chloe Sevigny Impersonator

Meet America's next big funny man-Drew Droege

The first time I ever did improv in Los Angeles, I was shaking in my Out of the Closet high heels and straining not to burst into tears and run my 99-Cent Store mascara. Yes, drunk Hollywood crowds watching attempts at "on the fly" comedic acting are anything but forgiving. But I'll always remember what the director told me (right before he force-fed me a vodka shot and kicked my ass out onto the stage).

"Don't worry. You're on stage with Droege. He'll take care of you." Truer words were never spoken in a non-profit gay L.A. blackbox theater! For those of you who have never seen Mr. Drew Droege on stage, in film or on the net, you're truly missing out. Yes, this side-splitting man has been compared to the likes of Will Ferrell, John Cleese, Robin Williams-even Carol Burnett-and he's earned every ounce of associated praise!

His resume drips with an endless list of highlights and triumphs that any L.A. performer would kick, scream and kill for: an alum of The Groundlings; a regular performer at Upright Citizens Brigade; the Comedy Central Stage and Celebration Theatre; TV credits including The Sarah Silverman Program, Reno 911! and Jimmy Kimmel Live; a cast member of the hit theatrical show Streep Tease at Bang Studio; the star of more online viral hits than you can shake an artsy-fartsy stick at!

To date, Drew's biggest hit has arguably come with his insanely spot-on impersonations of Ms. Chloe Sevigny, America's indie flick sweetheart. The story goes something like this: "I was doing a sketch show a few years ago and put on a blonde wig and realized, 'Holy shit, I look like Chloe Sevigny!' Then I read an interview with her and she was talking about Fassbinder and Jay Z in the same sentence. And then I saw her in US Weekly, wearing high-waisted marching-band pants and elf shoes, looking at me as if to say 'You're welcome!'... I I had to play her. I know it's a random choice, but I honestly can't imagine why no one else got to her first!" He goes on: "My friend Jim Hansen saw me play her onstage and said he had an idea for a video. When I watched his first edit, I had no notes for him. It was just brilliant; he totally got it. He gave me a copy of it we put it on the web ... Perez Hilton featured it, and it went through the roof! He's been so awesome in helping it go viral." Since then, "Chloe's" videos have appeared on's Pop Watch, New York Magazine, Movieline, World of Wonder, Huffington Post and the Advocate. Droege knows that Chloe has seen his videos, but he has yet to receive a response.

"I hope she likes them," he muses. "I want her to give me notes ... and hand-me-downs!" But never one to be put in a box, Drew Droege considers himself an all-around performer at large, with multiple characters and credits under his belt. So he explains: "What kind of artist do I consider myself? I don't know ... a comedic actor? I don't think of myself as a comedian, really. I'd love to do more dramatic work ... or anything, really! I guess that makes me a whore. Yeah, Whore Artist!" So, how did this self-proclaimed "whore artist" go from a good ol' North Carolina boy to L.A. infamous? He tells us: "My Sunday School teacher, Ms. Raper-I swear to God, that was her name!-once told me that I was a thespian. I had no idea what that meant, but she made it sound so vile, depraved and spiritually bankrupt, that I knew that I had to be one ... Years later, I moved to L.A. I really wanted to be on Silk Stalkings. When that didn't work out, I decided to try comedy. I took some classes at the Groundlings, and that felt right." This year, Droege won the coveted 2010 Award for Emerging Talent at OutFest; for those who attended, they may remember his shocking (and record-setting) seven different performances in the shorts program. Dennis Hensley, a celebrated WeHo writer/director who often works with the award-winner, enthuses: "Everything out of his mouth me laugh ... he always comes up with the most inspired, nutso, hilarious stuff and he's as nice and professional as he is talented." When asked what word Drew would use to best describe himself, he is very matter of fact: "Mo'Nique." With no explanation.

And that, my theater-loving friends, illustrates Droege's comedic stylings perfectly-off-the-wall, random and dripping with pop culture shout-outs and an intelligently biting twist! He's destined to be America's next big funny man, and that is exactly why we love this over-the-top, part-time drag-tastic, full-time LOL-enducer so damn much!
LA General

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The Awl meets Josh Simpson, the man behind Twitter's @BPGlobalPR

Feb 20, 2015

The First Interview: Meet Josh Simpson, the Man Behind Twitter's @BPGlobalPR

@BPGlobalPR started sending out messages about the Gulf oil spill to Twitter. The parody account took on the persona of an inept and insensitive public relations pro working at BP--and it viciously skewered BP's messaging attempts from behind a veil of anonymity. Within a week, it ate Twitter.

The writer's identity became the guessing game of the summer, one that I became deeply enmeshed in after a reporter incorrectly wrote that I had outed Twitter provocateur Mike Monteiro as the account's author. (I had not.) Ironically, however, the erroneous story eventually led me to the 26 year-old prankster behind the account who, after much cajoling (and some minor threats), agreed to be interviewed on the record. Meet Josh Simpson, better known as @BPGlobalPR.

Awl: Are you Mike Monteiro?

@BPGlobalPR: No. No I'm not. But I do have a lot of respect for that guy. When all that was going on I didn't envy him. I think he handled it well. I contacted him at one point to tell him I felt bad for him.

Awl: So who are you?

@BPGlobalPR: I'm Josh Simpson, I'm a comedian based out of Los Angeles. Before all this, I was a producer and writer for Funny or Die. I've done some acting on Reno 911, the short-lived Tonight Show with Conan O'Brien. I perform regularly at the Upright Citizen's Brigade (UCB) theater on an improv team, and I write for a sketch show and a talk show there as well.

Awl: Were you doing this all by yourself?

@BPGlobalPR: No, not at all. The idea was mine, and all the long form writing, talks, and speeches were me. But a lot of tweets--a lot of my favorite tweets--weren't mine. I edited and maybe tweaked some of them, but there's no way I would have been able to come up with the quality or volume of jokes without a good team. We had about 15 people, and those writers deserve a lot of the credit. Some contributed every day. My dad did one, even. I sent him a message and told him about it, and I was like, "fuck, I'm not sure what he'll think." But he responded immediately with a joke.

It was nice to create something that could be inclusive with people's frustrations. I made it purposefully non-partisan for that reason. As much as I could, I mean. When you've got Joe Barton grovelling on the House floor, I had to say something about that.

Awl: Why did you start the account? What were you hoping to accomplish?

@BPGlobalPR: My initial motive was just to mock them. It wasn't something I'd been planning. I was home sick from work, perusing the news, and I honestly started it on a whim. One morning, on May 19, I saw a video on Huffington Post where a CBS reporter was told by the U.S. Coast Guard that if they didn't get off the beach they'd be arrested. When the reporter asked how the Coast Guard could do that on a public beach, they responded, "it's BP's rules." It was very obvious to me BP was more worried about its image than about actually letting people see and understand what was happening on the Gulf. I was literally taking a whiz when I had this idea: How could I be BP's public relations team on Twitter?

I started on a Wednesday and did a few tweets to find the voice. If you look at those first tweets, they were really silly. We definitely found the voice later on, that was more like official PR-speak. That Friday I started focusing it more, and following people to get their attention. Roger Ebert retweeted it and it just went from there.

Awl: How long did it take to catch on?

@BPGlobalPR: By Saturday. Roger Ebert retweeted something I said, and then it just didn't stop growing. That weekend we gained 5,000 followers. It was gaining like 50,000 a week and didn't start slowing down until about 170,000 or 180,000. The second week, I went to New Orleans, because I felt like I couldn't make fun of this without also doing something about it.

Awl: Were you at all alarmed when it blew up like it did? I mean, you certainly weren't under the radar once Ebert re-Tweeted you.

@BPGlobalPR: I was alarmed because I didn't expect it to blow up like it did. I could refresh my browser again and again and there would be different reactions every time. Every time I wrote a tweet it would get retweeted like 200 times. That first weekend, when it was blowing up I thought, "well this is obviously getting a lot of attention and by Monday it will surely have BP's attention." What saved me, I think, was a happy accident from that first weekend. I'd been responding to people who were upset with BP saying, "I'm sorry you're upset. We're trying to make this right. Let us send you a free BP Cares T-shirt for $25 shipping." And then some user started the hashtag #iwantmybptshirt. And I was like, "oh, man, now I have to make a t-shirt." So, I contacted a friend from Street Giant, and we created this very simple BP Cares t-shirt. By Monday morning, we'd already raised a few thousand dollars for charity, which we made abundantly clear. So, if they wanted to shut me down, they had a real mess, because I'd already gotten attention and I was raising money for charity to help restore the Gulf. It put them in a pickle. I didn't know how they'd handle it, but I knew they weren't going to shut me down.

Awl: Did you ever get any blowback or even contact from BP?

@BPGlobalPR: Not directly, no. Just through Twitter.

Awl: Tell me about that. Twitter told you you had to make it clear it was a parody account, but what happened once you did? Your account was compromised, right?

@BPGlobalPR: I can't totally confirm that. But we posted a Twitpic, and got an anonymous email from a hacker, saying be careful, that people could gain access to your account via Twitpic. I apologize to Twitter if that isn't true, but they sent me that.

Then later, Twitter told me to change the bio , which I did in a little bit of a panic because I didn't want to get shut down. Afterwards, I was doing my normal thing on Twitter, and refreshed the page, and got a message that my password was incorrect. I had to reset the password, and got back in my account, and the only thing that had chanced was my bio, back to the original. I changed it back. Then it happened a second time, and I reported it to Twitter, and told them that I thought my account was being compromised. It happened a third time, and I said "I'm just going to leave it the way it was," and sure enough it didn't happen again after those three times. What it is right now is exactly what it was when it started. But we almost got more interest once we announced we were fake. The New York Times even covered it that we weren't really BP.

I do want to say one thing. There was this whole controversy of whether or not BP's Twitter account had been hacked the day they launched Topkill. The morning of Topkill, it was 6 in the morning Pacific time, and I had been up all night, as I had been most of the time. And they had a tweet on their @BP_America account that said "Terry is in charge of operation topkill, gotta find him a XXL wetsuit!" There had been all these articles saying that BP should find a way to incorporate this bad publicity into their own. As soon as I saw that, that's the first thing I thought, well, that's what they're trying to do. Because one, it was such a stupid joke. It was like a Jay Leno joke. "Gotta find a XXL wetsuit for Terry!" I never said Terry was fat, because I'm Terry, dammit! That was the first time I realized what they must have felt like, because they stole my thing! My immediate response was, "looks like we've got some impostors. Here's how you can tell us apart, we can say pickle dick and pussy fart."

Then it immediately got taken down, and BP claimed their account had been hacked. And I just don't buy it. It just seems implausible to me. Maybe I'm a crazy conspiracy theorist, but I don't think @BP_America got hacked.

Awl: What happened when you went to New Orleans?

@BPGlobalPR: That was when I realized the severity of the situation, I'd been poking fun at BP, like poking at the beast, but when I went to New Orleans I realized: it IS a beast. Meeting guys like professor Rick Steiner, who explained how BP and oil companies in general try to weasel their way out of cleaning up their mess.

For instance: the dispersant. The dispersant is criminal. It just created plumes of underwater oil and cleaned up the huge slicks on surface. They just put everything underwater, and actively made the problem worse. I realized how tied up the government is on all this--the MMS, the EPA. I don't trust a thing those guys say. I was really disappointed when the White House said that there was only 26 percent of the oil remaining in the Gulf, because that's just not true. This is a big problem. These guys are going to continue milking oil from our coasts in a way that obviously is not safe. And they're going to make huge profits off of it, with the help of the government.

This is how far these guys would go. I met a person who had worked for BP for three weeks, who had to quit, because the doctor said their lungs looked like someone who had been smoking three packs a day for 15 years. Just from working out there on the water. This person told me BP cleanup crews were basically props for photos, and weren't able to wear respirators. Not only that--and while I don't have any way to confirm this, I do believe this person--he told me that when the cleanup crews were done with their mission, BP would give them cigars and take photos of them smoking them so at some point in the future they could deny liability.

Awl: You were the first to follow the BPGlobalPR account, which almost got you busted by Adweek. Did you have to learn more about being stealthy as you went on? Were you ever worried that you would be exposed?

@BPGlobalPR: It was AdAge. I wasn't that worried. It's very easy to lie to the media. They kind of take you at your word. I got a call at work from Funny or Die's publicist, and she said she had someone at AdAge who wanted to know about the BP Twitter account. "You can give her my email," I said. "Don't say it's me, but I can point her in the right direction." emailed me, and I made the mistake of replying to her with my phone number in the email. And she called me. I was on the phone with her and I said "I'm not the one who started it, but I can give you his email." From then on I just used that email and it was pretty easy.

At Twittercon I had the genius idea to end my speech by running out of the room in a panic. I literally ran out of the room and ran outside to get a cab. The major problem with that plan is that I was wearing a ski mask and it turns out it's very hard to hail a cab in New York in a ski mask.

One guy, this reporter who was not a very nice guy, chased me out of the building and got a picture of me with my ski mask up, in profile, getting into a cab. He snapped the picture and then he started looking for a cab also. What he didn't realize is that my cab driver wouldn't drive me anywhere. He was on break, and also was not thrilled to have a guy in a ski mask in the back of his cab. I was like almost in a shouting match with him, trying to get him to drive me. But I had to exit the cab, and I got behind the reporter and then got in another cab and left.

You know a lot of people in UCB and the comedy world knew, and no one said a thing. A lot of people could have outed me, but nobody did. I kind of expected to be outed at some point, especially because my name was associated with it early on.

Awl: What did you think about all the speculation as to who was behind the account? I heard everything from a Colbert Report writer to Conan O'Brien himself.

@BPGlobalPR: It amused me. I was flattered by most of that. I like Conan O'Brien a lot and I was pretty involved with Funny or Die's "I'm with CoCo" stuff. Even Mike Monteiro, that's not the worst guy to be. It was all flattering.

Awl: Seriously, is this Mike?

@BPGlobalPR: This is not Mike. I owe that guy a beer

Awl: How do you feel about all the other similar accounts, like @Gulf_Pelican, or @ATTWirelessPR, or the @iTunes10icon? Kindred spirits or copycats?

@BPGlobalPR: It was very nice to start a meme. From the beginning, I encouraged people to send in BP jingles, song parodies, I asked for BP billboards, I realized it would be more powerful if I could get people involved. The great thing about Twitter is that people are actively involved--they have to hit follow. As to the others, I was mostly flattered.

There's one now for Park 51 that's- I made a few choices from the beginning to try to keep it tasteful. I never mentioned the eleven that died , I never criticized BPs attempts to actually cap the well. I didn't want to be cynical about that. I wanted to skew their PR and mock their messaging attempts.

I will say, part of the reason it worked is because the name was kind of real. It was the first one and people were confused by it. But everyone knows it now. If you really want to jack someone's brand on Twitter, I suggest you don't use "GlobalPR." 

Awl: But you are building a WorldGlobalPR website, right? What's that about?

@BPGlobalPR: The basic idea is that I want to be a hub for fake PR that encourages corporate responsibility. I'm building a website that I want to be a reaction to spin. To be an antidote for spin. A site where, when people want to respond to spin, can do whatever they want on there. They can publish a satirical, Onion-style article about a brand. They can create satirical graphics or logos. They can do all these things to respond to spin. It's all going to be filtered through me, you won't be able to just put something up on the site, but I want it to be a hub for that, and to create a network that will allow us to hopefully pull off some of these publicity stunts in real life.

Awl: Sort of a culture jamming kind of site?

@BPGlobalPR: I'm not even really sure what that means.

Awl: Do you think of yourself as an activist, or a comedian?

@BPGlobalPR: A comedian. I got roped into the activism world. I care about things and want to change things. But I think what makes me a good activist is my sense of humor. That's what I have to offer, what my writers and I can offer that I think would be hard to match. The activism is a happy accident. This worked because I had a target. I'm not sure it works for me to promote something. I had a victim. I've stumbled upon a way to use humor to maybe do a little bit of good, but I'm not going to fool myself into thinking I'm changing the world.

Awl: Did you ever think this could be a good career move?

@BPGlobalPR: I never worried about it from a career standpoint. I just had faith that if I kept doing the right thing with it, it would be fun. I'm working on a book and a TV pilot, and you know, who knows if any of that will happen. But it seemed clear that the account would be getting attention and, so, sure I hoped it would get a little print afterwards. I want to write comedy.

I started all this just to make fun of BP, but I quickly learned that these people aren't to be trusted. The only way it will turn around is if people start giving a shit. Which I've started to do. Admittedly, I wasn't that engaged before. But I want to stress, this problem is not going to go away unless people start giving a shit. Don't believe what they're trying to tell us. It'll happen again unless people start caring.

Awl: So now you're outed. What's next for you?

@BPGlobalPR: I don't think revealing myself will keep me from doing anything I want to do. I'm not sure I'll be able to replicate what I did with BPGlobalPR on Twitter, so I'm going to build on the GlobalPR idea rather than hoping I get struck by lightning twice. The difference between myself and someone like Banksy besides the fact that Banksy is about a thousand times cooler than me, is that what Banksy does is against the law. If you find out who Banksy is, he can't do his thing anymore. That doesn't apply to the Internet. Anyone can do what I did and part of the reason I wanted to reveal my identity was to show that I am a nobody. I expect people to be underwhelmed.

Mat Honan is a contributing editor to WIRED magazine, and a co-founder of Longshot magazine. Self-Serving Disclosure: Josh conceptualized and shot this video for my magazine. Futhermore: Awl editor Choire Sicha is one of the writers for my magazine. Choire is likely to earn somewhere in the neighborhood of 8 or more dollars if I sell a lot of magazines. This very Q&A could, in fact, help me sell magazines. Please buy my magazine.
LA General

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Charlie Sanders cast in MTV comedy Death Valley

Feb 20, 2015

MTV Picks Up Two Scripted Comedy Series

MTV continues to rapidly expand its scripted series portfolio by greenlighting two new half-hour series, the coming-of-age comedy That Girl and horror comedy Death Valley. Each has received a 12-episode order. After reentering the scripted arena last year with the series order to The Hard Times of RJ Berger, which was recently renewed for a second season, MTV has stepped up its scripted efforts, especially after the appointment of David Janollari as EVP of scripted development in January. In the past 4 months, MTV has picked up a whopping 5 new scripted series, dramas Skins and Teen Wolf, comedies That Girl and Death Valley and animated comedy Good Vibes. That is 2.5 times as many new scripted series as the CW ordered in May and one shy of the 6 Fox ordered for this coming season. "Our goal creatively is diversity - to offer choices with drama, comedy, animation and, of course, reality," Janollari said. And the network is not done. Janollari said his team is in development on a lot of new scripted projects and is planning to order more pilots in the next couple of months.

As for the newly picked-up series, That Girl was created by Lauren Iungerich whom Janollari called "one of the most authentic young female writers," and Death Valley is "a very inventive stylistically comedy" from Scrubs alum Eric Weinberg, Janollari added. Here are the shows' detailed descriptions:


That Girl is an irreverent look at the conflict, chaos and comedy that is contemporary teenage life through the eyes of 15 year-old Jenna Hamilton, who launches from social misfit to "that girl" when an accident leads everyone to believe she tried to commit suicide. Now she must deal with the stigma of being "that girl" - the girl who tried to kill herself - while also dealing with her crush on the most popular guy in school, a mean girl who wants to squash her, a weirdo guidance counselor, parents who just don't get it, and lots and lots of guy drama. Being "that girl" will eventually be the catalyst for amazing change, but not without some missteps along the way. In the wake of Jenna's prominence, she will redefine what being "that girl" means to her... cause even losers can have a fairy tale! That Girl will showcase specific incidents in our formative years that define us -- sometimes for the best and sometimes for the worst. It explores teen themes such a jealousy, body image, parental guidance, boundaries, friendship and sex. That Girl was created and executive produced by Lauren Iungerich (ABC Family's 10 Things I Hate About You.) The pilot was directed by Millicent Shelton (30 Rock).


Death Valley is a scripted horror-comedy that captures the exploits of the men and women of the Undead Task Force (UTF) - an elite branch of the LAPD that was formed in 2009 when the San Fernando Valley became overrun by zombies, vampires and werewolves. While scientists frantically search for an answer to what caused the outbreak, the UTF is responsible for eradicating the monsters, or at least containing them to the Valley. Documenting each case and paranormal encounter is a daring camera crew that is embedded with the UTF from the beginning to end of every shift. As a result, the documentary crew becomes central to the storytelling and is as much a part of the action as the young cops and the undead they encounter. Always alternating between humor and horror, Death Valley at times borrows from the conventions of reality television creating a visual style that is a blend of follow documentary and sci-fi action. The series stars an ensemble cast including Caity Lotz (who plays "Stephanie" on Mad Men) Tania Raymonde (who played "Alex Rousseau" on LOST) and Charlie Sanders (Funny or Die's The Big Dog). Death Valley is executive produced by Austin Reading and Julie Kellman Reading for Liquid Theory. Eric Weinberg and Tim Healy will also serve as executive producers, along with MTV's Tony DiBari.
LA General

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